{"id":137,"date":"2019-11-16T12:06:05","date_gmt":"2019-11-16T12:06:05","guid":{"rendered":"https:\/\/www.theikanmethod.com\/?page_id=137"},"modified":"2019-12-10T19:56:59","modified_gmt":"2019-12-10T19:56:59","slug":"pj-abba","status":"publish","type":"page","link":"https:\/\/www.theikanmethod.com\/?page_id=137","title":{"rendered":"PJ Abba"},"content":{"rendered":"\n<p>Da\nsempre appassionato di rock progressivo, \u201ccolpa\u201d dei Genesis di\nNursery Crime e Foxtrot, inizia a suonare le tastiere (nello\nspecifico un pianoforte verticale) durante gli anni del liceo.<\/p>\n\n\n\n<p>Le\nprime produzioni musicali personali risalgono ai primi anni 80 con i\nF:a.r., gruppo di rock alternativo, con i quali registra un paio di\nDemo-tape. \n<\/p>\n\n\n\n<p>A\nmeta&#8217; degli anni 80 fa parte di Superband, cover rock band (tra i\nbrani The Logical Song e Hold On degli Yes) nella quale trova come\ncompagni di avventura diversi talentuosi musicisti come Silvio\nMelloni, da molti anni produttore e e autore discografico nell&#8217;ambito\nmilanese, autore e direttore d&#8217;orchestra al Festival di Sanremo, e\nDanilo Ballo, che e&#8217; diventato stretto collaboratore dei Pooh, in\nparticolare per il keyboard programming.<\/p>\n\n\n\n<p>Dopo\ni \u201csoliti\u201d anni di gavetta nelle cantine e palchi savonesi a\nriproporre i brani progressive piu&#8217; famosi, la prima formazione\nstabile sono i Frame, con la quale propone principalmente brani dei\nMarillion.<\/p>\n\n\n\n<p>Qualche\nanno dopo, si trasferisce con cantante e bassista in un altro\nquintetto progressive, gli Armalite, con i quali, oltre a cover\nprogressive (questa volta entrano in repertorio anche gli IQ), incide\nun demo (live) nel 1993, un mini-cd Absence Of Horizon (1997) ed un\ncd full-lenght dal titolo The Position Of The Sleepers, tutti\nautoprodotti; sempre con gli Armalite partecipa ad diversi album con\naltri gruppi, principalmente italiani (ma non solo), in particolare\nThe Divine Comedy, in 3 volumi \u2013 Inferno \u201cScisma\u201d, Purgatorio\n\u201cMuove il vento i miei capelli\u201d e Paradiso \u201cIl cerchio, la luce\ne la vrt\u00f9\u201d, pubblicato dalla francese Musea Records e \u201cThe Tales\nOf Edgar Allan Poe\u201d (2010) con \u201cLe stanze dell&#8217;anima\u201d sempre\nper Musea Records e ad alcuni tributi pubblicati dalla Mellow Records\n(Yes \u201cTales From The Edge\u201d, con A Time &amp; A Word del 2012,\nMarillion \u201cRecital For A Season&#8217;s End\u201d con Lord Of The\nBackstage\/Blind Curve del 2009, \u201cFamily Snapshot \u2013 A Tribute To\nGenesis Solo Carriers\u201d con White Shadow di Peter Gabriel, uscito\nnel 2013), ai quali partecipano band da ogni parte del globo.<\/p>\n\n\n\n<p>Un&#8217;altra\nfondamentale esperienza, questa volta in campo metal-synphonic prog,\ncomincia nel 1995, in parallelo agli Armalite, quando entra a far\nparte dei Projecto, band power-metal di Savona, tramite la quale,\nentra in contatto con Fabio Zunino, Vic Mazzoni, Andrea DeStefanis e\nsuccessivamente, Roberto Bruccoleri, e Luca Grosso; con i Projecto,\nper i quali artisiticamente diventer\u00e0 &#8216;Pj Abba&#8217;, incide un paio di\nDemo e due album, Projecto del 1998 e Crown of Ages, uscito nel 2001,\ne un brano di A Tribute to Savatage \u2013 Return Of The Mountain King,\ntutti per Underground Symphony. I dischi sono ben recensiti, il\ngruppo \u00e8 noto nell\u2019ambiente e hanno discrete vendite in tutto il\nmondo; con loro ha l\u2019occasione di condividere il palco, tra gli\naltri, anche con Labirinth e Vision Divine. Il gruppo registra anche\nuna cover di \u201cDeliver Us\u201d dei Warlord, brano che per\u00f2 non verr\u00e0\nmai pubblicato.<\/p>\n\n\n\n<p>Nel\n2007 entra a fare parte dei Nathan, band progressive attiva dal 1997,\nche dopo anni a suonare cover, avevano deciso di cominciare a\ncomporre brani originali.<\/p>\n\n\n\n<p>E&#8217;\ncon questa band che avverra la piu&#8217; importante collaborazione: il\nconcerto al Teatro Comunale con Richard Sinclair, musicista\nfondamentale nel panorama progressive dagli anni 70, nel quale\nvengono riproposti brani del repertorio canterburiano, tra i quali\nanche la famosa suite \u201cNine Feet Underground\u201d dei Caravan, mai\npiu&#8217; riprodotta per intero (come ricordato dallo stesso Richard); la\ncollaborazione verr\u00e0 bissata da un altro concerto al Rainn Dogs di\nSavona nel 2014.<\/p>\n\n\n\n<p>I\nNathan si dedicano contemporaneamente anche a realizzare concerti\ntutti dedicati ai Pink Floyd fino al 2014, da ricordare tra gli altri\nil grande concerto alla fortezza Priamar di Savona per celebrare il\n40ennale di The Dark Side Of The Moon, risuonato per intero; periodo\nal quale segue la stagione Supertramp, nella quale vengono proposti\ntutti i brani pi\u00f9 celebri degli album con la formazione classica\nDavies-Hodgson.<\/p>\n\n\n\n<p>Dal\n2014 entra a far parte della compagnia The New Medical Mistery Tour,\ncon la quale annualmente propone uno spettacolo teatrale, con testi\noriginali, e brani scelti tra quelli piu celebri, soprattutto\nitaliani; l&#8217;esperienza si dimostra molto costruttiva dal punto di\nvista musicale, visto la variet\u00e0 del genere dei brani.<\/p>\n\n\n\n<p>Con\ni Nathan, nel frattempo, prosegue l&#8217;attivit\u00e0 compositiva e\nnell&#8217;aprile del 2016 esce l&#8217;album \u201cNebulosa\u201d per la AMS Records;\nl&#8217;album, un concept sul viaggio di una civilta&#8217; aliena, riceve\nattestati di stima, come dimostrano le numerose recensione in giro\nper il mondo.<\/p>\n\n\n\n<p>Nel\n2017 partecipa all&#8217;album Nemesis dei Last Rites, band thrash-death\nmetal di Savona, con un brano orchestrale di propria composizione\n\u201cGlory To The Brave\u201d.<\/p>\n\n\n\n<p>Dopo\nun paio di anni dal primo Cd dei Nathan, nell&#8217;aprile 2018, sempre per\nla AMS Records, esce anche il 2^ cd di inediti, dal titolo \u201cEra\u201d,\nanch&#8217;esso recensito in maniera positiva.<\/p>\n\n\n\n<p>Ha\npartecipato con altri musicisti ad un brano che sara&#8217; presente nella\ncompilation per il 25-esimo anniversario dell&#8217;etichetta Underground\nSymphony, componendo e suonando le parti di tastiere in uno dei brani\ndell&#8217;album celebrativo, a firma di Vic Mazzoni e Andrea De Stefanis,\ndi prossima uscita.<\/p>\n\n\n\n<p>Ha\nregistrato un video contente Nutricula, un brano interamente\nstrumentale di propria composizione del 2009, non incluso poi in\nNebulosa, ma proposto dai Nathan nel concerto del 2010 con Sinclair\n(visto l&#8217;ambientazione tipica di Canterbury), dove si ritrova a\ncollaborare con Luca Grosso e Fabio Zunino, mentre le chitarre sono\nsuonate Giulio Smeragliuolo.<\/p>\n\n\n\n<p>Attualmente,\nsono in fase di completamento i brani per il 3^Cd dei Nathan, e sta\nseguendo le diverse fasi di registrazione del terzo lavoro.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1006\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-1024x1006.jpg\" alt=\"\" data-id=\"203\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=203#main\" class=\"wp-image-203\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-1024x1006.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-300x295.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-768x755.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-24x24.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-36x36.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon-48x48.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/01.-Armalite-Absence-Of-Horizon.jpg 1396w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"966\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-1024x966.jpg\" alt=\"\" data-id=\"204\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=204#main\" class=\"wp-image-204\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-1024x966.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-300x283.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-768x725.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-24x24.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-36x34.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers-48x45.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/02.-Armalite-The-Position-Of-The-Sleepers.jpg 1452w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"939\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-1024x939.jpg\" alt=\"\" data-id=\"205\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=205#main\" class=\"wp-image-205\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-1024x939.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-300x275.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-768x704.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-24x22.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-36x33.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno-48x44.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/03.-The-Divine-Comedy-I-Inferno.jpg 1378w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"939\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-1024x939.jpg\" alt=\"\" data-id=\"206\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=206#main\" class=\"wp-image-206\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-1024x939.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-300x275.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-768x704.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-1536x1409.jpg 1536w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-24x22.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-36x33.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio-48x44.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/04.-The-Divine-Comedy-II-Purgatorio.jpg 1548w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"942\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-1024x942.jpg\" alt=\"\" data-id=\"207\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=207#main\" class=\"wp-image-207\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-1024x942.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-300x276.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-768x706.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-24x22.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-36x33.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso-48x44.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/05.-The-Divine-Comedy-III-Paradiso.jpg 1418w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"981\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection-1024x981.jpg\" alt=\"\" data-id=\"208\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=208#main\" class=\"wp-image-208\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection-1024x981.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection-300x287.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection-768x736.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/06.-the-tales-of-edgar-alla-poe-a-syNphonic-collection-24x24.jpg 24w, 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srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-1015x1024.jpg 1015w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-297x300.jpg 297w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-150x150.jpg 150w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-768x775.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-24x24.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-36x36.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016-48x48.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/10.-NathaN-Nebulosa-2016.jpg 1306w\" sizes=\"(max-width: 1015px) 100vw, 1015px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"876\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-1024x876.jpg\" alt=\"\" data-id=\"211\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=211#main\" class=\"wp-image-211\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-1024x876.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-300x257.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-768x657.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-24x21.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-36x31.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion-48x41.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Recital-For-A-Seasons-End-A-Tribute-To-Marillion.jpg 1428w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"993\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-1024x993.jpg\" alt=\"\" data-id=\"212\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=212#main\" class=\"wp-image-212\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-1024x993.jpg 1024w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-300x291.jpg 300w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-768x745.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-24x24.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-36x36.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes-48x48.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/Tales-From-The-Edge-A-Tribute-To-The-Music-Of-Yes.jpg 1402w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"208\" height=\"206\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/projt.jpg\" alt=\"\" data-id=\"46\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/projt.jpg\" data-link=\"https:\/\/www.theikanmethod.com\/?attachment_id=46#main\" class=\"wp-image-46\" srcset=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/projt.jpg 208w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/projt-150x150.jpg 150w\" sizes=\"(max-width: 208px) 100vw, 208px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/1346950421_tributetosavatage2000.jpg\" alt=\"\" data-id=\"31\" data-full-url=\"https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/11\/1346950421_tributetosavatage2000.jpg\" 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https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018-150x150.jpg 150w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018-768x770.jpg 768w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018-24x24.jpg 24w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018-36x36.jpg 36w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018-48x48.jpg 48w, https:\/\/www.theikanmethod.com\/wp-content\/uploads\/2019\/12\/11.-NathaN-Era-2018.jpg 1348w\" sizes=\"(max-width: 1021px) 100vw, 1021px\" \/><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Da sempre appassionato di rock progressivo, \u201ccolpa\u201d dei Genesis di Nursery Crime e Foxtrot, inizia a suonare le tastiere (nello specifico un pianoforte verticale) durante gli anni del liceo. Le prime produzioni musicali personali risalgono ai primi anni 80 con i F:a.r.,<\/p>\n<p class=\"link-more\"><a class=\"myButt \" href=\"https:\/\/www.theikanmethod.com\/?page_id=137\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":19,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full-width.php","meta":{"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/pages\/137"}],"collection":[{"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=137"}],"version-history":[{"count":4,"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/pages\/137\/revisions"}],"predecessor-version":[{"id":216,"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/pages\/137\/revisions\/216"}],"up":[{"embeddable":true,"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"https:\/\/www.theikanmethod.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}